Gradually the audience began to catch on. When a robber confronted him in one routine with the remark "Your money or your life," Benny paused. By placing Benny's fall guy character into funny everyday situations, audiences would howl with laughter anticipating his reaction. Radio listeners came to know the Benny personna as a lovable penny-pinching egotist, and before long he was one of the most familiar figures on the air.īenny and his writers introduced other innovations as well. It was Benny who discovered that the humor had to emerge from the character and that the key to longevity on radio was not novelty but familiarity. At first he borrowed heavily from his vaudeville routine of one-liners, but he soon realized that this insatiable medium devoured his material at a startling rate. Over the next five years Benny developed a new program format for radio comedy. Later that year Canada Dry sponsored his first weekly radio program, initially on NBC and then shifted over to CBS. In 1932 he joined the exodus of vaudeville stars to radio when Ed Sullivan convinced him to appear on his program. Although he was earning $1,500 per week as a monologuist and skit performer in a Broadway revue called The Vanities of 1930, he knew that vaudeville was on its way out. It was in radio, however, that Benny was to achieve his greatest success.
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A movie contract with MGM soon followed, and he was cast in two vaudeville-like films: Hollywood Revue of 1928 and Road Show (1930). In the year following his marriage Benny gained a national reputation as the witty master of ceremonies at the Palace Theatre in New York. She was later to change her name to Mary Livingston, a popular character she played in the Benny radio show. While a headliner at the Orpheum Theatre in Los Angeles in 1927 Benny courted and married Sayde Marks, who worked in the hosiery department in a store across the street. Benny's urbane brand of humor quickly established him as a star attraction at the large vaudeville houses, where he earned $750 per week. Unlike the zany comedians of the day he dressed in dapper street clothes and presented himself as a vain sophisticate. Throughout the 1920s Benny honed his comic skills, perfecting his timing and developing a suave stage personna. It was also at this time that he changed his name to Jack Benny so that audiences would not confuse him with another vaudevillian, Ben Bernie. Benny-Fiddle Funology." He now considered himself a comedian and the violin became merely a prop.
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Aside from his new act, Benny was given the lead in a comedy skit called "Izzy There, the Admiral's Disorderly." Following his discharge Benny returned to vaudeville as a single act, "Ben K. He became an instant hit with enlisted men and joined The Great Lakes Revue, which toured most major cities in the Midwest.
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In one early performance Benny's violin actīombed so he started telling jokes. It was not until Salisbury was forced to return home after a year and he teamed up with Lyman Woods that the act was booked in large towns and Benny began to introduce humorous musical numbers into the repertoire.ĭuring World War I Benny enlisted in the Navy and soon became a performer in camp shows at the Great Lakes Naval Station. Their act was billed as "Salisbury and Benny: From Grand Opera to Ragtime." He reluctantly had changed his name, which he felt was too similar to that of violinist Jan Kubelik, to Ben K. Shortly thereafter Benjamin went on the vaudeville circuit with the leader of the Barrison Theater Orchestra, Cora Salisbury. Unfortunately (or perhaps fortunately), he was a poor student and an incorrigible clown, and in 1912 he was expelled from high school. At the age of 15 Benjamin was offered a job at Waukegan's Barrison Theater playing violin in the pit for vaudeville and stage shows.